The Canadian video entertainment market faces some significant headwinds in 2022, with the cost-of-living crisis adding pressure to consumers’ disposable incomes as the country emerges from the pandemic. Despite these challenges, Canada is expected to exceed the pre-pandemic level of consumer spend on video entertainment, buoyed by the resurgence of the box office segment, as well as the continued expansion of SVoD, increasingly being driven by D2C services as growth stalls amongst established players such as Netflix. The transactional segments are expected to benefit from the backlog of delayed tentpole title releases, offering optimism in EST and iVoD.
This report reviews the overall video entertainment market in India and assesses the impactors and drivers as the sector transitions to digital. Key areas covered include:
Geographic coverage includes: Australia, Belgium, Brazil, China, Denmark, Finland, France, Germany, India, Italy, Japan, Mexico, Netherlands, Norway, South Korea, Spain, Sweden, UK, USA
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